As promised here is the third of my trilogy of reviews - another great take on the contemporary spirituality scene from Shirley du Boulay. I must admit to having known Shirley for some years and always having been impressed by her candour, intellect and charm. I really didn't know what to expect when I started reading and was wonderfully surprised by the insights of the book. Having finished it a week ago I am still pondering some of its messages. I hope you enjoy it as much as I did...
best wishes
Peter
best wishes
Peter
A Silent Melody: An Experience of
Contemporary Spiritual Life
Author: Shirley du Boulay
Date: 2014
Price:£12.99
Publisher: Darton, Longman and Todd
ISBN: 978-0-232-53074-2
pp 228 hbk
It
is not every day that a well-known writer on Christian themes declares that
they are no longer a Christian. So we approach Shirley du Boulay’s
autobiography in the spirit with which she has lived her life – with brave
adventure and open tolerance. What we receive from her pithy, wry and moving account
is, in her own words, ‘the confused wanderings that characterize the spiritual
lives of so many of us, living as we do when the comfort of certainty is rarely
part of our religious ambience’. For those wanting comforts and securities this
little book will offer none, however for those prepared to journey, like
Shirley, into the unknown preoccupations of the contemporary ‘spirituality
scene’ the journey will be fascinating and with rewards of its own. And what a
journey it is! Starting from a ‘Presbyterian/Anglican’ background in the
mid-twentieth century, Shirley travels through Shamanism, the Maharishi
movement of the sixties (with memorable cameos from the Beatles), Roman
Catholicism (the faith of her late husband, John Harriott) and Mindfulness meditation
(to mention but a few staging posts) before ending up in a sort of Zen-like
calm in North Oxford. As with any such autobiography there is the vicarious
pleasure of peering into the inner and unexpected lives of people we may have
heard about through the media or books. And on this level the book does not
disappoint. Yet, in Shirley’s own striving and seeking the final reading
transcends such incidental detail. There are pockets and nuggets of wisdom
here, pithy quotes and fascinating observations that had me running back to my
reference sources to follow up. Yet, within this spiritual kaleidoscope there
seemed, to this reader at least, one theme that bound all the others –
Shirley’s love of India and Indian spirituality, especially as manifested in the
person and life of Dom Bede Griffiths. As his first (and best) biographer,
Shirley seems to have fallen in love with this great man (although as she
pithily remarks, on learning ‘that Bede had never been sexually attracted to a
woman’ – ‘Oh dear. Bede would never have fancied me!’). Like Bede, Shirley has
a gentle and open soul that enables her to embrace this greatest of spiritual
cultures with compassion. We live, as we are so often told, in the era of the
‘spiritual revolution’. For a ringside account of that revolution in the words
of a witty and enquiring guide I would commend this book alone. I salute this
brave autobiography and give my own personal salute to Shirley in the words of
Walt Whitman:
Sail forth - steer for the deep waters only,
For we are bound where mariner has not yet dared to go,
And we will risk the ship, ourselves and all.
O my brave soul!
O farther farther sail!
O daring joy, but safe! are they not all the seas of God!
O farther, farther, farther sail!
Sail forth - steer for the deep waters only,
For we are bound where mariner has not yet dared to go,
And we will risk the ship, ourselves and all.
O my brave soul!
O farther farther sail!
O daring joy, but safe! are they not all the seas of God!
O farther, farther, farther sail!
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